Finding The Future

Finding The Future

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Ray Pope

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Ray Pope – Universal Music – Talent Acquisition Manager

Graduated from Leeds University after studying Popular and World Music.
Worked from William Morris and Puma before joining Warner Music in 2009.
Started off as a temp at Warner and worked my way up to Recruitment Manager heading up recruitment for the UK and International side of the business
Specialised in finding talent of all levels from apprentice to SVP. Worked at Warner for approx 7 years.
Joined Universal Music in September 2015 where I concentrate on sourcing the best talent across all the UK labels both business focused and creative.
In my spare time I am also a professional musician and I regularly play at Ronnie Scotts under the name Ray Jones. I like to think that it’s possible to be an artist and  work within the industry at the same time.


Ruth Kilpatrick

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Having started out helping friends with press releases, and booking shows at a local club, Ruth gained as much experience as possible in live events. Still in Newcastle, she was hired as a scout for Amazing Radio over 5 years ago now, forming part of the early progress of shaping playlists and content, as well as starting The Amazing Sessions with the best new and emerging artists, both in external studios and on location at festivals. Highlights were filming very early tracks with the likes of Daughter, Wolf Alice, Slaves, The 1975, Marika Hackman, James Bay and many, many more. Her role expanded to include numerous aspects, and after 5 years she left Amazing Radio as Head Of Content back in March 2015. Now in London, Ruth took a new role as Artist Liaison & Communications Co-Ordinator at the PRS For Music Foundation in order to continue helping artists achieve their aims, in a very tangible way. Her day to day focuses on liaising with artists and creating content in order to spread the word about the Foundation’s numerous funds.



David Loader

Dave Loader joined Richard Branson’s fledgling Virgin Records in 1973 and became General Manager of Caroline Exports – a division developed out of Virgin foreign mail-order, which focused on export wholesale and servicing Virgin licensees abroad. From 1981 he worked for a number of independent record labels and publishers and in 1988 worked for two years at Marcus Recording Studios. In 1990 Dave became General Manager and Licensee of the Brixton Academy. Since 1993 Dave has been Managing Director / co-owner of Notting Hill Music Group after a management buyout from Japanese media company, Nippon Television.

The Notting Hill Music Group Limited is a truly international music publishing operation, based in London, Los Angeles & Nashville, with first-class representation in every corner of the globe. Founded in 1990 as the international repertoire division of the Japanese Nippon Television Music Corporation, it became Notting Hill Music following a successful management buyout in 1993 and has rapidly become one of the world’s leading independent music publishers.

The Notting Hill Music Group Limited can offer a complete range of publishing, sub-publishing, international administration and territorial publishing representation arrangements. In addition to our own extensive catalogue, the company also administers a growing number of third party music publishing companies and we are able to structure tailor-made publishing arrangements for the most demanding of clients.

Eric Brünjes

Eric BrunjesEric Brünjes aka Brvnjes / music producer / sound designer / music consultant based in London, UK. Born into a musical family, he has performed extensively around the world from a very young age. First learning classical / flamenco guitar and then jazz piano, Eric turned to production and sound design at age 18. His compositions have featured for brands such as Frogiato, Lexus, Clarkes, VW, M&M’s and Schuh. He has managed the post production on leading documentaries, TV and radio adverts.

In a parallel career, Eric also manages “Attack Magazine” the fastest growing online music magazine in the UK and US. Furthermore, with his business partner John Jay in NYC, he developed the music app “SittinonMusic” which was released in December 2014.

His production credits include notable artists such as Scrufizzer, Fred the God Son, Fetty Wap, Feli Fame and Karl Wolf. His work with Karl Wolf was nominated for a MTV EMA in 2012.

Carly Wilford

carly wilfordFor the past three years her husky tones have woken the nation every morning on Rinse FM’s forward thinking Breakfast Show. Carly Wilford is a lively presenter and DJ with boundless energy, unstoppable character and endless drive. Down to earth, warm and honest, she gets to the heart of the artists she interviews and is not afraid to push boundaries. Creator of online taste-making hub IAmMusic.TV as well as IAmMusic Artists, she uncovers the stars of tomorrow and helps them to break the tough and ever changing industry.

Her natural energy and lust for life shines through in her interviews. With millions of views across her YouTube videos you can see why the music industry is talking about her and why she is on speed dial for artists, manager’s, PR’s and key media figures within the industry.

On the Red Carpet she has interviewed Tom Cruise, Russell Brand, Cheryl Cole and Usher to name but a few. Kicking back with some of the music industries finest. Carly has put the world to rights with Danny Brown, hung out with Rudimental, bantered with Bastille and had a heart to heart with Nas, Nile Rodgers and Kendrick Lamar.

Seen backstage at some of the Worlds biggest festivals she has covered Glastonbury, SXSW, Snowbombing, Sonar, EXIT Festival, V Festival, Wireless, BBC Radio 1 Big Weekend and Secret Garden Party. Hunting out the hottest artists, chatting to the crowds and dominating the press pit she has also presented at the MOBOS for sponsors HTC and The Capital FM Summertime Ball.

Carly is at the forefront of everything music related – from new artists to secret collaborations, if you need to know about it she has already got it covered. She films, edits, produces and presents all her own work as well as writing for Hunger Magazine and Wonderland. With big aspirations and infinite drive she is one to watch very closely. No ear piece, no ‘note cards’ and none of the fake attributes the industry is often full of – just raw ambition and real talent.

Finding the Future – 18-20 November 2015

ByonwithComments Off on Finding the Future – 18-20 November 2015

Welcome to Finding the Future 2015.

We have an fantastic programme scheduled with some amazing industry specialist and IT IS FREE.  No need to sign for tickets but please do sign up to our mailing list so we can get updates to you.

As part of our build up, please see below some useful advice from the MU. more to follow…

Meanwhile, many thanks to the MU, PRS for Music, PPL and Robertson Taylor W&P Longreach for their support.

Placing A Song – advice from the Musicians’ Union

ByonwithComments Off on Placing A Song – advice from the Musicians’ Union

The industryRedCableSundaybyVieGross005c has changed a lot in the last 15 years; the advent of iTunes and Spotify means a hit single is more important than ever. And for increasingly risk averse labels, using a songwriter with a proven track record may be a safer bet than going out on a limb for someone new. So how can budding songwriters get their songs to successful artists?

Network and skills

Talent is important, but building strong personal relationships is the cornerstone of a successful music career.

One way to get your foot in the door is to offer to work as an assistant to a successful songwriter and producer. Don’t be too proud to do minor production jobs. Being in the room is half the battle and if an artist is going to spend months in the studio, they’d prefer a talented person who is easy to work with.

Find others who compliment your skills. If you’re a topline writer specialising in lyrics and melody, form a team with a track writer. It used to be that a guitar with a vocal was enough to identify a hit. Now, you have to be able to produce the track too. If you can’t do it yourself, bring someone on board the team who has the production skills you need.

For an unknown songwriter, collecting societies like PRS For Music ( can play a vital part in enabling collaborations with other writers. With links to songwriting camps, funding opportunities and networking events, they can be an important resource to meet people you may go on to work with.

How to get heard

Having a manager or independent publisher can help you get your songs heard by the right people – and smaller indies may be more likely to listen to tracks that are sent to them. They’re less likely to be able to compete for big artists with big advances, so they need to get involved with talented songwriters in the early stages.

Make sure that they already publish contemporary writers, and do your research before you approach them. Be certain you are the right fit for each other. And if you’re thinking of going down this route, it is worth getting advice before you dive in. Get in touch via

Talent, tenacity and a little luck

Digital technology may have made it harder to make a living as a songwriter, but it has also opened up doors for songwriters to take charge of their careers and develop their own projects.

Being a professional songwriter today requires much more than just making music – it also takes an innovative business mind and a friendly disposition. MU members can take free courses in business skills, marketing and more – all geared towards freelancers – and get specialist advice from expert officials at the Union.

Luck also plays a big part, so it’s important to make the most of any opportunity you get that feels right for you.

For advice on the issues raised above, or any other aspect of your career as a musician, get in touch via


A longer version of thimu-logo_30mm_muorange_cmyk-copys article first appeared in The Musician Summer 2015 and can be accessed via

The MU’s Ben Jones hosts the panel discussion “It All Starts With The Song: Entrepreneurship in Music Publishing & Copyright in association with The Musicians Union” at the Apple Store, Friday 209 November at this year’s City Showcase.

Paul Farrer

Paul Farrer his jpeg 450sqPaul Farrer is one of the UK’s most successful media composers. In a career spanning 25 years he has composed music for some of the biggest programmes on British Television. From Dancing On Ice, Gladiators, Fort Boyard, Ant and Dec’s Push The Button to The Chase, The Jerry Springer Show, and The BBC’s most successful international format of all time; The Weakest Link which was broadcast in 97 countries and over 12 years on British Television racked up 1693 episodes.

He has also composed additional music for shows like Top Gear, Blue Peter and The Krypton Factor. In 2012 he was commissioned to compose all the music to the 100th Anniversary of the Royal Variety Performance at The Royal Albert Hall in the presence of Her Majesty The Queen. 2014 will be the third time he has been asked to compose the orchestral music for this prestigious event.

He is the recipient of an Ampex Golden Reel Award for his work on ITV’s The Gladiators and in 2003 was awarded the BMI Composer Award. He is a member of The British Academy of Film and Television Arts (BAFTA) and The British Academy of Songwriters, Composers and Authors (BASCA). Paul Farrer is also the creator of the ITV gameshow 1000 Heartbeats.

Robertson Taylor W&P Longreach

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Robertson Taylor W&P Longreach (RT) are the leading International Entertainment Insurance Broker serving the Music, Live Event, Film TV, Theatre, Sport and Entertainment industries. With over 37 years’ experience and offices worldwide, RT has provided insurance and risk management advice to more top grossing artists, tours and events than any other insurance broker. They have insured 9 out of the top 10 grossing tours of all time and through their innovative approach continue to attract emerging acts. Their list of up and coming artists is as impressive as their established and internationally renowned client base. Further information can be found at

Ben Jones


Ben Jones

Ben Jones is National Organiser for Recording & Broadcasting at the British Musicians’ Union and Director of British Underground.  In addition to negotiating collective bargaining agreements with trade bodies he advises musicians and songwriters on rates of pay, contracts and music industry issues.  He is an expert on the UK music business and has extensive experience of providing career advice to musicians across the industry.